土曜日のわたしたちは <LiSA> Lyrics Analysis

87 min

This article is generated by AI based on lyrics content and online information. The viewpoints presented may contain interpretive biases or information errors, so please read critically.

I hope this article provides a different analytical perspective and welcome discussion and corrections.

Core Theme and Message

The central theme of “土曜日のわたしたちは” (We on Saturdays) is the healing power of friendship and the sacredness of “rest” after a demanding week of work. It serves as a warm embrace for those who push themselves too hard during the weekdays, offering a sanctuary of connection and shared memories.

The song is intentionally positioned as part of a trilogy on LiSA’s album LANDER, exploring the three pillars of life: Love, Work, and Friendship. While the other tracks focus on romance and labor, this song specifically addresses the “Work” aspect by acknowledging the fatigue of the daily grind and providing a transition into the “Friendship” found on Saturdays. LiSA’s own commentary highlights this: she wants to say “Thank you for your hard work” to everyone who gives their all until they are exhausted.

The Title: “土曜日のわたしたちは” (We on Saturdays) The title is significant because it suggests a duality of identity. There is the “Working Self” (the Friday version) and the “True/Relaxed Self” (the Saturday version). By specifying “on Saturdays,” the song highlights a specific space where social roles are set aside, and the bond between friends becomes the primary focus. It’s about the version of “us” that exists when the phones stop ringing for work and the tea starts flowing.


Lyrics Analysis

Introduction: The Ritual of the Weekday Escape

The song opens with a rhythmic, almost walking-paced chant, establishing the “Step-step” motif that carries through the track. It immediately grounds the listener in the reality of adult life—the transition from professional wear to personal connection.

Step-step Saturdays with you
Step-step Saturdays with you
Step-step Saturdays with you
Step-step Saturdays with you
Step-step Saturdays with you
Step-step Saturdays with you
Step-step Saturdays with you
Step-step Saturdays with you
ハンドバック持って 高いヒール鳴らし
Carrying my handbag, the sound of high heels clicking
語り合ったね お茶だけで6時間
We talked for six hours over nothing but tea
昔からさ早口だよね 私たち
We’ve always been fast-talkers, haven’t we?
まるで興味なんて 少しもなさそうに
Looking as if we couldn’t care less
職場の年下君の話
Talking about that younger guy at work
相変わらず嘘が下手くそだよね
Your lies are still as clumsy as ever
Whoa-oh-oh
Whoa-oh-oh
騒がしい毎日よ 大人は楽しい
Such a noisy daily life; being an adult is fun

Interpretation:

  • Literal Meaning: The lyrics describe two friends meeting up, wearing high heels, and gossiping about a younger male colleague for six hours.
  • Implied Meaning: This section represents the “venting” phase of friendship. The “high heels” and “handbags” symbolize their professional identities, while the “six hours of tea” symbolizes the luxury of time they reclaim on the weekend.
  • Original Features: The phrase “嘘が下手くそ” (lies are clumsy/bad) is a playful, colloquial way to describe a friend’s exaggerated stories. It conveys a sense of deep intimacy where you don’t have to be “polite” with each other.

Chorus 1: The Safety Net of Friendship

The chorus shifts from the specific details of gossip to the emotional core of the song: the fact that these friends are each other’s safety net.

私たち手繋いで 風に吹かれながら
Hand in hand, while being blown by the wind
はぐれないように 迷わないように
So we don’t get separated, so we don’t lose our way
どんなに最低な日も どんな大失敗も
No matter how terrible the day was, no matter how big the failure
いま笑えるの あなたがいたから
I can laugh about it now, because you were there
窓に映る二人を 誇れる私でいよう
Let’s be people we can be proud of, as we’re reflected in the window
変わることに戸惑うときも
Even when we’re confused by things changing
Step-step 新しい自分も
Step-step, even as a new version of ourselves
Step-step ふたりで楽しもう
Step-step, let’s enjoy it together
さあ 行こうよ またすぐに電話するね
Come on, let’s go; I’ll call you again soon

Interpretation:

  • Literal Meaning: They hold hands in the wind, promising to stay together and laugh at past mistakes.
  • Implied Meaning: The “wind” and “getting lost” are metaphors for the unpredictable hardships of life. The “window reflection” suggests a moment of self-reflection—seeing their friendship as a source of pride rather than just a pastime.
  • Original Features: The phrase “最低な日” (the lowest/worst day) is very common in Japanese to describe a day where everything went wrong. By saying they can “laugh now,” it emphasizes the healing power of the weekend.

Verse 2: Nostalgia and the Growth of Dreams

The perspective shifts from the “Now” (adult life) to the “Then” (youth), highlighting the journey they took to get to where they are today.

リュックサック持って Vansでギター鳴らし
Carrying backpacks, strumming guitars with Vans on
何か変われって叫んだ あの頃
Back then, when we shouted about changing something
芽生えたての夢を聞いてくれたね
You listened to my dreams when they were just budding
Whoa-oh-oh
Whoa-oh-oh
退屈な青春よ 若さは美しい
Oh, tedious youth; youth is beautiful
思いきりぶつかって 派手に泣いて笑った
We crashed into each other, cried loudly, and laughed
何にだって熱くなった心
A heart that grew passionate about anything
やけにムシャクシャして やけに強がって
Feeling incredibly frustrated, acting incredibly tough
少しわかって欲しかっただけ
I just wanted you to understand a little
晴れた道の途中に 曇りの日があるから
Because there are cloudy days in the middle of sunny roads
傍にある愛を知れたよ
I was able to know the love that stays by my side
Step-step 前向いていよう
Step-step, let’s keep facing forward
Step-step ここから始めよう
Step-step, let’s start from here
これからも傍にいるから
I’ll be by your side from now on too

Interpretation:

  • Imagery and Symbolism: “Backpacks” and “Vans” are iconic symbols of youth and rebellion. They contrast with the “handbags” and “high heels” of the first verse, showing the evolution of their friendship from students to working adults.
  • Language Features: “ムシャクシャ” (mushakusha) is a unique Japanese onomatopoeic expression for a feeling of irritability, frustration, or being “grumpy.” It perfectly captures that specific feeling of being overwhelmed by life.
  • Metaphor: “Cloudy days in the middle of sunny roads” is a beautiful metaphor for the inevitable struggles that occur even during “good” periods of life, and how friendship provides the support to endure them.

Bridge: The Beautiful Contrast

This section highlights that true friendship isn’t about being the same; it’s about complementing each other’s differences.

好みのタイプだって (違う)
Even our “types” (different)
星座 血液型 (違う)
Zodiac signs, blood types (different)
生まれも育ちも癖も (違うし)
Birthplaces, upbringings, even habits (all different)
食の好み たまに合う
Our tastes in food match sometimes
私はピンクで見る目ガール
I’m a girl who sees the world in pink
あなたは頼りがいガール
You’re a reliable girl
ちっとも似てないけど 少し同じ
We’re not alike at all, but we’re a little the same

Interpretation:

  • Word Games/Style: The use of “(違う)” (Different!) as a spoken interjection creates a playful, conversational atmosphere, as if the two friends are arguing/laughing together during the song.
  • Culture-Specific: “Blood type” (血液型) is a very common way in Japan to categorize personalities (e.g., “Type A is diligent”). By listing these, LiSA emphasizes how different they are on paper.
  • Character Contrast: “Pink girl” (optimistic, romantic, soft) vs. “Reliable girl” (grounded, dependable, strong). The “slightly the same” refers to their shared soul and history, which transcends their different personalities.

Finale: The Promise of the Future

The song concludes by looking toward an indefinite future, reinforcing the idea that while the “Saturday” is a temporary break, the bond is permanent.

メールや手紙だけじゃ 伝えきれないこと
Things that can’t be fully conveyed through emails or letters alone
声を聴けば ほら、分かってしまうこと
Just by hearing your voice, look, I understand everything
ずっとずっと一緒に年を重ねてよう
Let’s keep growing old together forever and ever
いつでも電話して
Call me anytime
私たち手繋いで 風に吹かれながら
Hand in hand, while being blown by the wind
はぐれないように 迷わないように
So we don’t get separated, so we don’t lose our way
どんなに最低な日も どんな大失敗も
No matter how terrible the day was, no matter how big the failure
いま笑えるの あなたがいたから
I can laugh about it now, because you were there
長い道のりの先 見えない明日さえも
Even the invisible tomorrows at the end of this long road
怖いものなんてないよ
There’s nothing to be afraid of
Step-step 幸せ鳴る方へ
Step-step, toward the sound of happiness
Step-step 幸せ感じるよ
Step-step, I can feel the happiness
だって私 あなたに出会えたから
Because I was able to meet you
じゃあね またねこの季節 変わる頃に
See ya, see you when this season changes

Interpretation:

  • Narrative Technique: The repetition of the chorus serves as an emotional anchor, reinforcing the stability of the friendship against the uncertainty of the future (“invisible tomorrows”).
  • Emotional Resonance: The line “Call me anytime” (いつでも電話して) is the ultimate expression of support. It’s the practical application of the friendship—the knowledge that no matter what happens on a “Monday,” there is a lifeline.
  • Closing: “See ya” (じゃあね) is a casual, warm parting. It implies that while the Saturday is ending, the cycle of work and friendship will continue, and they will meet again in the next “Saturday.”

Narrative Structure and Perspective

  • Narrative Perspective: The song is told from a first-person perspective (“I”), but it functions as a shared monologue between two friends. It captures a “we” identity, where the narrator’s experiences are inextricably linked to her companion’s.
  • Timeline: The song uses a non-linear emotional timeline. It begins in the Present (the high-heel Saturday), flashes back to the Past (the backpack/guitar youth), and concludes by looking toward the Future (growing old together). This structure mirrors how real friendships work: we enjoy the present moment while constantly referencing our history to provide strength for the future.

Emotional Layers and Atmosphere

  • Tone: The atmosphere is a blend of nostalgic warmth and resilient hope. It starts with a slightly weary but cozy vibe (the feeling of “finally” relaxing), moves into a bittersweet reflection on youth, and culminates in a powerful, uplifting anthem of solidarity.
  • Emotional Turning Points:
    • The Transition: Moving from the gossip of the first verse to the “Hand in hand” chorus provides the first emotional lift, shifting from “trivial talk” to “deep connection.”
    • The Climax: The bridge’s playful “Different!” interjections provide a moment of levity and joy, making the final chorus feel even more emotionally resonant.
  • Audience Resonance: The song targets the universal experience of the “working adult.” It validates the exhaustion of the work week and provides a sense of belonging to anyone who has a “person” they can call to vent to.
  • Original Language Feel: The use of Japanese particles and casual sentence endings (like “…だよね” and “…だね”) creates a sense of “Aisatsu” (soft communication) that feels very intimate and natural, like a private conversation overheard between two close friends.

Summary

“土曜日のわたしたちは” is more than just a theme song for a morning news program; it is a lyrical tribute to the “safe spaces” we build with our friends. By contrasting the professional markers of adulthood (high heels, work gossip) with the symbols of youth (backpacks, guitars), LiSA captures the evolution of a bond that survives the passage of time. The song successfully communicates that while life is filled with “cloudy days” and “failures,” having a “reliable girl” by your side makes the journey not just bearable, but something to be proud of. It is a song of “Otsukaresama”—a heartfelt “thank you for your hard work” to everyone finding their strength in the company of others.

References